约翰·凯齐“Fontana Mix-Feed”

彦彦

Fontana Mix 曲谱资料


听——》Fontana Mix - Feed, Nov. 6, 1967

Performer's Notes for “Fontana Mix-Feed”
as recorded Nov. 9, 1967 by Aspen.


I used “Fontana Mix” to make a score, which I called “Feed,” for adjustable resistors which are affecting acoustic feedback. In this performance, the adjustable resistors were controlling the frequency response of two channels of feedback which were set up by putting two microphones in the vicinity of their respective loudspeakers.


The score for this performance was made by assigning a ten-second time period to each of the differentiated lines on the opaque sheets. When the transparent sheets with dots were superimposed over these, each dot coinciding with a line dictated a change in one of the resistors during the time period assigned to that line. The specific resistor to be changed was then decided by throwing dice. Throughout the piece, these changes in the adjustable resistors are extremely slow and gradual.


The score removes my taste and musical judgment and allows the electronic and acoustic phenomena of that particular situation to produce the piece. Each time it is played, it is different. In fact, the three times that I performed the piece for this recording, three totally different versions resulted.


Max Neuhaus

我用“组合九点”发表曲谱,我所谓“养”,这是对法的调整反馈电阻.
这个成绩,是可调电阻控制频率响应,反馈两个渠道,将设立两个话筒在附近各自扬声器.      

这个成绩的取得是由指定的10次,时间分别在不同的线路板不透明.
当被覆盖叠加,在这点,每个点恰逢决定改变路线的电阻在指定时间内,路线. 要改变特定电阻掷骰决定便.
整个作品,这些变化是非常缓慢而渐进型电阻.      

把我的音乐风格和成绩的判断,使电子和声学现象,产生了一块特殊情况.
每次有发挥,这是不同的.
事实上,三次,我这个记录片的演出,完全不同的三个版本造成.      


John Cage, Fontana Mix, (New York, Henmar Press, 1960).

Dots below:



Curved lines below: